Tuesday, July 22, 2008

Th Presets Announce US Tour With Cut Copy



SAT 9/13 - Monolith Festival - Denver, CO
MON 9/15 – The Record Bar - Kansas City, MO
TUES 9/16 - Fine Line Music Cafe- Minneaplis, MN
WED 9/17 - Metro - Chicago, IL
FRI 9/19 Sound Academy - Toronto, Ontario
SAT 9/20 - Club Soda - Montreal, Quebec
SUN 9/21 - Webster Hall - New York City, NY
MON 9/22 - Webster Hall - New York City, NY
TUE 9/23 - Paradise - Boston, MA
THURS 9/25 – The Trocadero Theater - Philadelphia, PA
FRI 9/26 9:30 Club - Washington D.C.
SAT 9/27 Masquerade - Atlanta, GA
MON 9/29 - Emo's Alternative Lounge - Austin, TX
TUES 9/30 - Granada Theater - Dallas, TX
FRI 10/3 – The Glass House - Pomona, CA
SUN 10/5 - Mezzanine - San Francisco, CA
TUES 10/7 - Hawthorne Theater - Portland, OR
WED 10/8 - Showbox At The Market - Seattle, WA
THURS 10/9 - Commodore Ballroom - Vancouver, B.C.

www.myspace.com/thepresets



Modular Presents is proud to announce that the two leaders of this century’s Australian electronic music scene have joined forces to storm across America for a joint-headline tour of North America this September and October. The Modular labelmates are supporting their current albums In Ghost Colours and Apocalypso respectively.

Expect a friendly but fierce rivalry to blow each other off the stage, very cool production, a special guest to be announced soon, and a date or two to be added where there seem to be obvious omissions.

For guestlist and all media inquiries:
The Presets: Alexandra@Magnumpr.net

Tickets are on sale this week. Check your local dealer for more info. Act now while supplies last.

Wednesday, May 14, 2008

The Futureheads




The Futureheads formed in 2000, in Sunderland. More specifically, in Barry's garage really. The line-up of the band at that point was Jaff (Bass, Vocals), Barry Hyde (Guitar, Vocals), Ross Millard (Guitar, Vocals), and Peter Brewis, now of cerebral pop-masterpiece-makers Field Music.

After playing a million and one hometown shows, the Futuremen took the show on the road with a massive helping hand from Slampt Records' Milky Wimpshake. A tour of Squats and Youth Centres in Central Europe came in summer 2001, due to which the band switched out drummers. In place of Peter Brewis ambled a young pretender, Mr David Hyde (Drums, Vocals).

Several singles followed - the first, Nul Book Standard, can now be seen casually hanging out on eBay from time to time. A relationship with the lovely people at Fantastic Plastic briefly followed. 'The Futureheads' was released in summer 2004, on 679 Recordings, and then the band hit the road. Some highlights of 2005 include playing Glastonbury Festival on Baz's birthday, Hounds Of Love going Top Ten, meeting Dennis Hopper on Jimmy Kimmel's US TV Show, and getting that most infamous of Albatrosses, The Second Album under their belts.

‘News and Tributes’ was released in May 2006. It reached #11 in the album chart, and saw the band touring the world and continuing to win fans and supporters with their exhilarating live shows.

Fast forward to 2008, and The Futureheads are back, bolder and better than ever, exploding back onto the scene with their new album ‘This Is Not The World’. Embracing the punk-rock ethic like never before, Barry, Ross, Jaff and Dave are releasing their third album independently and taking control of their own destiny. It’s going to feel like the first time, all over again…

Annoyed and frustrated too many times by the bureaucratic nightmare that music had become, the band split with former label 679 in late 2006. A silently busy year followed which saw the band writing and recording, and teaming up with their management to launch their own label Nul Records, solely to release music by The Futureheads. Free of major label shackles, the band are taking back control and relishing being their own bosses.

‘This Is Not The World’ was recorded in 3 weeks in the summer with super-producer Youth at his studio ‘Space Mountain’ in the Sierra Nevada mountain range in Andalusia. About as far away atmospherically as you can get from the bleak Scarborough farm in which they recorded ‘News And Tributes’, the band couldn’t help but be influenced by Youth’s enthusiasm, and describe the album as one of ‘defiance, optimism and joy.’

Keen to share the joy with fans, the band released 2 tracks as free downloads and played intimate shows in London and Sunderland at the end of 2007. They begin 2008 with not one but two tours across the UK and kick off the year with storming new single, ‘The Beginning Of The Twist’, released March 10th.

Monday, May 12, 2008

In Orb We Trust... The Dream



In Orb We Trust...
The Dream

Out JUNE 17TH 2008

The Dream
1 The Dream [The Future Academy Of Noise, Rhythm And Gardening Mix]
2 Vuja De
3 Something Special
4 A Beautiful day
5 DDD [Dirty Disco Dub]
6 The Truth Is…
7 Phantom Of Ukraine
8 Mother Nature
9 Lost & Found
10 The Forest Of Lyonesse
11 Katskills
12 High Noon
13 Sleeping Tiger & The Gods Unknown
14 Codes
15 Orbisonia

Q: What do Killing Joke, KLF, Primal Scream and The Cult all have in common?
A: In some way all of the above have been intertwined or have sporned from one of the UK's most groundbreaking and soul affirming ambient house music duos of our time. Pioneers who paved the way throughout some of the 1980's and much of the 1990's during a time when hallucinogenics and free love were the foundations for the nightclub and music loving masses. Innovative artists such as The Orb provided the concrete and a soundtrack that solidified an entire culture and generation who embraced a time when ecstacy was still good and the beats just kept on coming.

The Orb's music speaks the language of the psyche and of the soul. Various "psychedelic soldiers" of our time have been given their comeuppance in recent years. Many new acts have quite rightly tipped their hats in the form of their sonic creations, toward those who have inspired them during the birth and boom of rave and electronic music.

The Dream simply encapsulates The Orb's original quest to pay homage to their personal musical obsessions since they first put a needle to vinyl. While exploring new sonic territories, they have created the perfect album to accompany ones life, whether it be on the couch as day breaks or on the beach as the beats break. The Dream guarantees the listener a soothing but sometimes pounding journey, leaving you rejuvenated, re-inspired and realizing the universe isn't so ugly nor lack luster after all.

The Orb hadn't gone away nor are they making a come back. Both Alex Paterson and fellow founding member and musical partner simply known as Youth, have been collaborating frequently in London again and are now ready to release another spellbinding album. Created purely upon the need to work together. Much like many recent "comebacks" from bands who have kept us waiting for nearly a decade, the theory that when there is a demand, one must instantly supply isn't a theory many take too seriously. For the wait on something to grow organically and to reappear when the time is right is far more beneficial to the creator and his audience. Simply reaffirming the ideals that artists such as The Orb can take as much time as they choose, particularly when the results are like their 2008 release, the epic and "retro-fresh" album The Dream.

The Dream was created without pressure from record companies or the studio. As with previous albums, the basic Orbs nucleus includes guest singers and players on the scene, including System 7's Steve Hillage, who goes back to the earliest recordings, Battersea toaster-singer Eric Walker aka “The Corporal” and vocalists Aki Omori [the Japanese singer who appeared on 2001's Cydonia], singer Andy Caine from the W.A.U.! days, and renowned soulstress of course, Juliet Roberts who, according to Alex, is “the cherry on the cream on the gateau on the bed of Smarties.”

After spending some time exploring their own individual creative endeavors that consequently gained them further critical acclaim, it didn’t take them long to realize that they are a stronger force when together. Alex starting popping round for old times sake and inevitably, this turned into throwing musical ideas around again. What the pair soon discovered that, although trends and technology have changed immeasurably, the bond between them was still as strong as ever, along with the thrill of throwing together disparate elements and drawing from mutual inspirations to forge something startling and, indefinably, The Orb.

That certain Je ne sais quoi that very few musicians can say they've experienced throughout their lives and careers. A unique and magical quality that defines the innovators from the imitators. This was a factor to strong for them to ignore once they reunited again in Youths London based studio.

Alex and Youth didn't set out with master plan to reinvent nor trade in their much loved and listened to sound for a newer revamped and dare we say, hipper sound many are drawn to today. Their goal, or Dream if you will, was to simply collaborate together and do what they do best when in the studio as a team. The Dream is a perfect tribute to a time that many hold dear in their memories, a time that some would call their own personal "60's", where the dance floor was their Woodstock and the DJ was someone’s Dylan. An era and a sound that had an impact on an entire generation. The Dream is destined to take one straight back to that uber-comfy chill out lounge, late night/early morning come down state, transporting one to a pleasant, more trippier and somewhat star-tinted, galactic and gurn friendly place. A place not to be forgotten for many.

This release provides a return to the original spirit, which spawned the first two classic albums, The Orb's Adventures In The Ultraworld and U.F. Orb. Working with former Dreadzone studio-wiz Tim Bran and a handful of prestigious musical guests, Alex and Youth created another fine piece of work, staying true to what they know best, and that's being The Orb.

Back to the Future
The Orb has been a long and surreal trip, starting in the 80's when Alex and Youth went to school together, however it soon turned out that they were learning more about drink, drugs and punk instead of arithmetic and grammar like most kids. A mutual and magnificent meeting of the minds took place and from there on out, Alex and Youth continued to hang.

When Youth achieved notoriety as bassist in apocalyptic post-punk band Killing Joke, Alex was the roadie, howling the Sex Pistols’ “Bodies” or Stooges' “No Fun” during encores. By the mid-80s, Alex moved in with Youth at the Coach House on Wandsworth Common. For years, Alex and Youth had been enthralled and inspired by tapes of New York's groundbreaking radio stations KISS FM, WBLS, and WKTU. From these tapes the lads would mash up and edit the tracks into wild, extended soundclash masterworks which predated sampling and the aural anarchy of acid house.

It was in Alex's tiny bedroom that the foundations were laid for many-a-groundbreaking and gurn provoking acid house tunes to come. By this time, "old mucker" Jimmy Cauty (KLF), who'd been in Youth's post-Joke band Brilliant, was on board and joined Alex in a string of marathon DJ sets in the chill out room at London's earliest acid house clubs like Land Of Oz and Trancentral.

Alex and Youth started the W.A.U.! record label and 1989 saw The Orb's Kiss EP released in the UK: Not long after Jimmy departed to join KLF and Alex went on to sign with Big Life and worked with, among others, engineer Kris 'Thrash' Weston and Youth on the first Orb album.

By this time, Youth was busy on a string of other projects which included building his Butterfly studio and Dragonfly record company, both ambitious projects which later ran aground. Meanwhile, Alex was dealing with his new chart-rider status and soon signed to Island Records. He then spent the 90s willfully steering The Orb into whichever strange waters he felt like taking it, sometimes with dark and twisted consequences.

Skipping forward a few years to 2006, Youth started building another studio at the end of his garden, across Wandsworth Common from the old Coach House: The Dreaming Cave [maybe referencing the transcendental Aboriginal dream state which inspired Kate Bush on The Dreaming]. During that period, Youth also produced albums including Primal Scream's Riot City Blues and, most recently, the return of The Cult. What was still so undeniable and impossible to ignore however, was the compelling force the lads felt to reconnect in a studio to start breathing new life into what they worked and cared so much about for so long. The Dream was born and The Orb is with us, once again.

THE DREAM OUT JUNE 17TH 2008

1 The Dream [The Future Academy Of Noise, Rhythm And Gardening Mix]
2 Vuja De
3 Something Special
4 A Beautiful day
5 DDD [Dirty Disco Dub]
6 The Truth Is…
7 Phantom Of Ukraine
8 Mother Nature
9 Lost & Found
10 The Forest Of Lyonesse
11 Katskills
12 High Noon
13 Sleeping Tiger & The Gods Unknown
14 Codes
15 Orbisonia

For media inquiries, please contact SiouxZ@magnumpr.net and/or Alexandra@magnumpr.net
212.532.4650

www.theorb.com
www.myspace.com/orbisms

Siren '08 People!




The Village Voice Announces Initial Lineup for the
8th Annual Village Voice SIREN MUSIC FESTIVAL™
at Coney Island
Saturday, July 19, 2008

STEPHEN MALKMUS AND THE JICKS, BROKEN SOCIAL SCENE,
THE HELIO SEQUENCE, BEACH HOUSE, TIMES NEW VIKING,
JAGUAR LOVE, THE DODOS, ANNUALS, FILM SCHOOL,
PARTS & LABOR, DRAGONS OF ZYNTH, THESE ARE POWERS
and more to be announced!

New York, NY (May 7, 2008) The Village Voice, the nation’s largest alternative weekly newspaper, is excited to announce the initial line-up for the 8th Annual Village Voice SIREN MUSIC FESTIVAL™
at Coney Island on Saturday, July 19, 2008 from 12:00 noon - 9:00 p.m. Scheduled performers include STEPHEN MALKMUS AND THE JICKS, BROKEN SOCIAL SCENE, THE HELIO SEQUENCE, BEACH HOUSE, TIMES NEW VIKING, JAGUAR LOVE, THE DODOS, ANNUALS,
FILM SCHOOL, PARTS & LABOR, DRAGONS OF ZYNTH, THESE ARE POWERS, DJs and more to be announced.

This free, all day, all ages music festival will feature international, national and local bands and DJs performing on two outdoor stages in historic Coney Island.Now in its 8th year, the Village Voice SIREN MUSIC FESTIVAL™ has solidified its status as a leading New York City outdoor music festival, drawing over 100,000 music fans by showcasing indie rock veterans and emerging artists.

Budweiser returns to the Village Voice SIREN MUSIC FESTIVAL™ as the exclusive beer sponsor for the 8th consecutive year. Other sponsors include iClips Network, Zig Zag Live, NY Bartending School, Hop Stop, Guitar Center and Astroland Amusement Park. Additional sponsorship opportunities are available.

FOR PRESS INQUIRIES, PLEASE CONTACT JO MURRAY AT MAGNUM PR:

212 532 4650 or jo@magnumpr.net

General Information:
siren@villagevoice.com

For festival information and updates please visit www.villagevoice.com/siren

THE VILLAGE VOICE SIREN MUSIC FESTIVAL is a registered trademark of Village Voice Media, LLC.
All rights reserved.

Portishead Debuts at #7!!!





Portishead’s THIRD, the long-awaited follow up to their 1997 self-titled release, debuted at #7 on Billboard’s Top 200. This is their highest chart rank ever in the U.S. and their first week sales are equal to the debut week of PORTISHEAD (from September 1997) which debuted at #21.

After an 11- year hiatus, Portishead’s THIRD has been receiving rave reviews and has been hailed as an “unexpected yet totally impressive return” by Rolling Stone, and “Worth the wait” by Newsweek. The band made their only U.S. performance April 26 at the Coachella Valley Festival and recently recorded and released a live in-studio performance of seven new tracks on Current TV in the U.S. and UK, titled “Portishead in Portishead.”

Sunday, February 17, 2008

Klaxons get wet...for BIG SHOT



It's a hard life being one of the most culturally important bands of the Naughties...
Big Shot shoot and final feature...
Los Angeles, CA. 2007

That's LA based photographer Beatrice Neumann on the left...

During a recent geek out : youtube+klaxons+los Angeles=


God bless America,
God bless Klaxons...

Mystery Jets - Young Love

The new album "twentyone" is now complete and ready for us all. Produced by Erol Alkan and set to impress the United States, much like they did before (watch this space for upload of their Carson Daly performance coming soon).
Young Love, the first single was produced by none other that Erol Alkan and is ridiculously good as it is catchy.

Did we mention it was produced by Erol Alkan?

Well, it is.

Check it.